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  <title>The Theatre Of The Absurd</title>
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  <namePart>Martin Esslin</namePart>
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   <publisher>Penguin</publisher>
   <dateIssued>2009</dateIssued>
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 <note>In 1953, Samuel Beckett�s &lt;i&gt;Waiting for Godot&lt;/i&gt; premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents�Beckett, Ionesco, Genet, Pinter, and others�shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters� inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition.&lt;br&gt;&lt;br&gt;Over four decades after its initial publication, Esslin�s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett�s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, &lt;b&gt;The Theatre of the Absurd&lt;/b&gt; is nothing short of a classic: vital reading for anyone with an interest in the theatre. &lt;/p&gt;&lt;strong style='display: block;'&gt;&lt;a onclick='javascript:openTab('edreviews')' href='#TABS' class='left-arrow-small'&gt;More Reviews and Recommendations&lt;/a&gt;&lt;/strong&gt;&lt;h3&gt;Biography&lt;/h3&gt;&lt;p&gt;Martin Esslin was born in Budapest and educated in Austria. He read Philosophy and English at Vienna University and graduated as a producer from the Reinhardt Seminar, the well-known dramatic academy. He left Austria in 1938 and in 1940 began working for the BBC as a producer, scriptwriter, and broadcaster. In 1963 he became Head of Radio Drama at the BBC, a position he held until his retirement in 1977. At his death in 2002 at the age of 83 he was Emeritus Professor of Drama at Stanford University.</note>
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