Kathleen M. Adams Additional Author mixed material bibliography University of Hawai\'i Press 2006

Book - Paperback

286 Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished 'traditional' objects--as well as monumental displays, museums, UNESCO ideas about 'word heritage,' and the World Wide Web--to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders--be they tourists, art collectors, members of rival ethnic groups, or government officials--have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions--that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies. USA 9780824830724 C2O library Online catalog (BETA) 305.89 ADA Art 5198 C2O library & collabtive (Fiction & Literature) 10000 Art%2Bas%2Bpolitics.jpg 5075 2015-01-02 09:50:52 2015-01-02 09:50:52 machine generated