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<title>White Mughals:</title>
<subTitle>Love And Betrayal In Eighteenth-Century India</subTitle>
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<namePart>William Dalrymple</namePart>
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<publisher>HarperCollins Publishers</publisher>
<dateIssued>2003</dateIssued>
<issuance>monographic</issuance>
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<note>William Dalrymple's &#60;I&#62;White Mughals&#60;/I&#62; is destined to become one of the great non-fictional classics of Anglo-Indian history. Dalrymple is steeped in India, having lived there for six years, and written a series of remarkable travel books chronicling its past and present, including &#60;I&#62;City of Djinns&#60;/I&#62; and &#60;I&#62;The Age of Kali&#60;/I&#62;. Having already earned comparisons with great travel writers like Chatwin and Theroux, Dalrymple has now produced a meticulously researched and beautifully written historical narrative on one of the most colourful but neglected aspects of British colonial rule in India. &#60;p&#62; Set in and around Hyderabad at the beginning of the nineteenth century, &#60;I&#62;White Mughals&#60;/I&#62; tells the story of the improbably romantic love affair and marriage between James Achilles Kirkpatrick, a rising star in the East India Company, and Khair-un-Nisa, a Hyderabadi princess. Pursuing Kirkpatrick's passionate affair through the archives across the continents, Dalrymple unveils a fascinating story of intrigue and love that breaches the conventional boundaries of empire. As Kirkpatrick gradually goes native (adopting local clothes and enduring circumcision) he becomes a secret agent working for his wife's royal family against the English, as he tries to balance the interests of both cultures. &#60;p&#62; However, &#60;I&#62;White Mughals&#60;/I&#62; is by no means just an exotic love story. It is a vehicle for Dalrymple's understanding of the complex legacy of the English Empire in India, that he defines more in terms of exchange and negotiation than dominance and subjugation. It is a powerful and moving plea by Dalrymple to understand the cultural intermingling and hybridity that defines both eastern and western cultures, and a convincing rejection of religious intolerance and ethnic essentialism. Elegantly written and at a pace that belies its length, &#60;I&#62;White Mughals&#60;/I&#62; confirms Dalrymple's status as one of the most important non-fiction writers of his time. --&#60;I&#62;Jerry Brotton&#60;/I&#62;</note>
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