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<title>Living Room Wars</title>
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<namePart>Ien Ang</namePart>
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<publisher>Routledge</publisher>
<dateIssued>1995</dateIssued>
<issuance>monographic</issuance>
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<note>&#60;P&#62;&#60;b&#62;&#60;/b&#62;&#60;b&#62;&#60;i&#62;Living Room Wars&#60;/i&#62;&#60;/b&#62; brings together Ien Ang's recent writings on media audiences to ask what it means to live in a world saturated by media. Ang suggests that we cannot understand media audiences without deconstructing the category of 'audience' itself as an institutional and discursive construct.&#60;br&#62; &#60;br&#62; &#60;b&#62;&#60;/b&#62;&#60;b&#62;&#60;i&#62;Living Room Wars&#60;/i&#62;&#60;/b&#62; highlights the inherent contradictions of a 'politics of pleasure' of television consumption: Ang moves beyond the traditional focus on textual meanings to explore the structural and historical representations of television audiences as an integral part of modern culture. Her wide-ranging and illuminating discussion takes in the battle between television and its audiences; the politics of empirical audience research; new technologies and the tactics of television consumption; ethnography and radical contextualism in audience studies; television and fiction and women's fantasy; feminist desire and female pleasure in media consumption; and thetransnational media system.&#60;/P&#62;</note>
<subject authority=""><topic>Communication, International; Mass media - Audienc</topic></subject>
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<shelfLocator>302.23 ANG Liv</shelfLocator>
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