<?xml version="1.0" encoding="UTF-8" ?>
<modsCollection xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" xmlns:slims="http://slims.web.id" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd">
<mods version="3.3" ID="6643">
<titleInfo>
<title>Cultural Capital:</title>
<subTitle>The Rise and Fall of Creative Britain</subTitle>
</titleInfo>
<name type="Personal Name" authority="">
<namePart>Robert Hewison</namePart>
<role><roleTerm type="text">Primary Author</roleTerm></role>
</name>
<typeOfResource manuscript="yes" collection="yes">mixed material</typeOfResource>
<genre authority="marcgt">bibliography</genre>
<originInfo>
<place><placeTerm type="text">London &#38; New York</placeTerm></place>
<publisher>Verso</publisher>
<dateIssued>2014</dateIssued>
<issuance>monographic</issuance>
<edition></edition>
</originInfo>
<language>
<languageTerm type="code">en</languageTerm>
<languageTerm type="text">English</languageTerm>
</language>
<physicalDescription>
<form authority="gmd">Book - Paperback</form>
<extent></extent>
</physicalDescription>
<note>How money, politics and managerialism turned a golden age for culture into lead

Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong?

In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.
Reviews

“A brilliant analysis of the way that the intrinsic value of art was undermined by a Blair-led government’s attempts to control creative production and turn it into an instrument of social engineering. It is a timely warning about the dangers of political interference and a rallying cry for art to both be publicly supported and maintain a hard won independence. Art needs this independence from power in order to show us to ourselves in ways that the media and politics never do and never can.”

– Antony Gormley</note>
<classification>NONE</classification><identifier type="isbn">9781781685914</identifier><location>
<physicalLocation>C2O library Online catalog (BETA)</physicalLocation>
<shelfLocator>700.103094 HEW Cul</shelfLocator>
<holdingSimple>
<copyInformation>
<numerationAndChronology type="1">8003</numerationAndChronology>
<sublocation>C2O library & collabtive (Arts & Design)</sublocation>
<shelfLocator>700.103094 HEW Cul</shelfLocator>
</copyInformation>
</holdingSimple>
</location>
<slims:digitals>
<slims:digital_item id="36" url="https://c2o-library.net/files/Hewison%20-%202014%20-%20Cultural%20Capital%20The%20Rise%20and%20Fall%20of%20Creative%20Britain.epub" path="/9781781685914-CulturalCapital.jpg" mimetype="image/jpeg">Robert Hewison - 2014 - Cultural Capital: The Rise and Fall of Creative Britain</slims:digital_item>
</slims:digitals><slims:image>9781781685914-CulturalCapital.jpg.jpg</slims:image>
<recordInfo>
<recordIdentifier>6643</recordIdentifier>
<recordCreationDate encoding="w3cdtf">2018-02-09 23:22:09</recordCreationDate>
<recordChangeDate encoding="w3cdtf">2018-02-09 23:33:08</recordChangeDate>
<recordOrigin>machine generated</recordOrigin>
</recordInfo></mods></modsCollection>