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  <title>Artists in the Audience</title>
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  <namePart>Greg Taylor</namePart>
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   <publisher>Princeton University Press</publisher>
   <dateIssued>2001</dateIssued>
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 <note>&lt;p&gt;&lt;i&gt;Gone with the Wind&lt;/i&gt; an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, &lt;i&gt;Artists in the Audience&lt;/i&gt; shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.&lt;/p&gt;</note>
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