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  <title>Screening Shakespeare In The Twenty-First Century</title>
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   <publisher>Edinburgh University Press</publisher>
   <dateIssued>2006</dateIssued>
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 <note>&lt;P&gt;This bold new collection surveys the rich field of Bardic film representations, from Michael Almereyda's &lt;I&gt;Hamlet&lt;/I&gt; and the BBC 'Shakespea(Re)-Told' season to Michael Radford's &lt;I&gt;The Merchant of Venice&lt;/I&gt; and Peter Babakitis' &lt;I&gt;Henry V.&lt;/I&gt; The volume offers in-depth analyses of major and obscure productions, touching on advertisements, appropriations, postcolonial reinventions, and mass media citations, arguing that Shakespeare is a magnet for debate over style, literary authority, nationality, ethnicity, gender, and romance. Consideration the Derry Film Initiative &lt;I&gt;Hamlet&lt;/I&gt;, the New Zealand &lt;I&gt;The Maori Merchant of Venice&lt;/I&gt;, and the television documentary &lt;I&gt;In Search of Shakespeare&lt;/I&gt;, this collection innovatively assesses the continuing relevance of Shakespeare in his many local and global screen incarnations.&lt;/P&gt;</note>
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