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  <title>White Mughals:</title>
  <subTitle>Love And Betrayal In Eighteenth-Century India</subTitle>
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  <namePart>William Dalrymple</namePart>
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   <publisher>HarperCollins Publishers</publisher>
   <dateIssued>2003</dateIssued>
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  <extent>640</extent>
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 <note>William Dalrymple's &lt;I&gt;White Mughals&lt;/I&gt; is destined to become one of the great non-fictional classics of Anglo-Indian history. Dalrymple is steeped in India, having lived there for six years, and written a series of remarkable travel books chronicling its past and present, including &lt;I&gt;City of Djinns&lt;/I&gt; and &lt;I&gt;The Age of Kali&lt;/I&gt;. Having already earned comparisons with great travel writers like Chatwin and Theroux, Dalrymple has now produced a meticulously researched and beautifully written historical narrative on one of the most colourful but neglected aspects of British colonial rule in India. &lt;p&gt; Set in and around Hyderabad at the beginning of the nineteenth century, &lt;I&gt;White Mughals&lt;/I&gt; tells the story of the improbably romantic love affair and marriage between James Achilles Kirkpatrick, a rising star in the East India Company, and Khair-un-Nisa, a Hyderabadi princess. Pursuing Kirkpatrick's passionate affair through the archives across the continents, Dalrymple unveils a fascinating story of intrigue and love that breaches the conventional boundaries of empire. As Kirkpatrick gradually goes native (adopting local clothes and enduring circumcision) he becomes a secret agent working for his wife's royal family against the English, as he tries to balance the interests of both cultures. &lt;p&gt; However, &lt;I&gt;White Mughals&lt;/I&gt; is by no means just an exotic love story. It is a vehicle for Dalrymple's understanding of the complex legacy of the English Empire in India, that he defines more in terms of exchange and negotiation than dominance and subjugation. It is a powerful and moving plea by Dalrymple to understand the cultural intermingling and hybridity that defines both eastern and western cultures, and a convincing rejection of religious intolerance and ethnic essentialism. Elegantly written and at a pace that belies its length, &lt;I&gt;White Mughals&lt;/I&gt; confirms Dalrymple's status as one of the most important non-fiction writers of his time. --&lt;I&gt;Jerry Brotton&lt;/I&gt;</note>
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