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  <title>Living Room Wars</title>
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  <namePart>Ien Ang</namePart>
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   <publisher>Routledge</publisher>
   <dateIssued>1995</dateIssued>
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 <note>&lt;P&gt;&lt;b&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;Living Room Wars&lt;/i&gt;&lt;/b&gt; brings together Ien Ang's recent writings on media audiences to ask what it means to live in a world saturated by media. Ang suggests that we cannot understand media audiences without deconstructing the category of 'audience' itself as an institutional and discursive construct.&lt;br&gt; &lt;br&gt; &lt;b&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;Living Room Wars&lt;/i&gt;&lt;/b&gt; highlights the inherent contradictions of a 'politics of pleasure' of television consumption: Ang moves beyond the traditional focus on textual meanings to explore the structural and historical representations of television audiences as an integral part of modern culture. Her wide-ranging and illuminating discussion takes in the battle between television and its audiences; the politics of empirical audience research; new technologies and the tactics of television consumption; ethnography and radical contextualism in audience studies; television and fiction and women's fantasy; feminist desire and female pleasure in media consumption; and thetransnational media system.&lt;/P&gt;</note>
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  <topic>Communication, International; Mass media - Audienc</topic>
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 <classification></classification>
 <identifier type="isbn">415128005</identifier>
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  <shelfLocator>302.23 ANG Liv</shelfLocator>
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