<?xml version="1.0" encoding="UTF-8" ?>
<modsCollection xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" xmlns:slims="http://slims.web.id" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd">
<mods version="3.3" id="6643">
 <titleInfo>
  <title>Cultural Capital:</title>
  <subTitle>The Rise and Fall of Creative Britain</subTitle>
 </titleInfo>
 <name type="Personal Name" authority="">
  <namePart>Robert Hewison</namePart>
  <role>
   <roleTerm type="text">Primary Author</roleTerm>
  </role>
 </name>
 <typeOfResource manuscript="no" collection="yes">mixed material</typeOfResource>
 <genre authority="marcgt">bibliography</genre>
 <originInfo>
  <place>
   <placeTerm type="text">London &amp; New York</placeTerm>
   <publisher>Verso</publisher>
   <dateIssued>2014</dateIssued>
  </place>
 </originInfo>
 <language>
  <languageTerm type="code">en</languageTerm>
  <languageTerm type="text">English</languageTerm>
 </language>
 <physicalDescription>
  <form authority="gmd">Book - Paperback</form>
  <extent></extent>
 </physicalDescription>
 <note>How money, politics and managerialism turned a golden age for culture into lead&#13;
&#13;
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong?&#13;
&#13;
In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.&#13;
Reviews&#13;
&#13;
“A brilliant analysis of the way that the intrinsic value of art was undermined by a Blair-led government’s attempts to control creative production and turn it into an instrument of social engineering. It is a timely warning about the dangers of political interference and a rallying cry for art to both be publicly supported and maintain a hard won independence. Art needs this independence from power in order to show us to ourselves in ways that the media and politics never do and never can.”&#13;
&#13;
– Antony Gormley</note>
 <note type="statement of responsibility"></note>
 <classification>NONE</classification>
 <identifier type="isbn">9781781685914</identifier>
 <location>
  <physicalLocation>C2O library Online catalog (BETA)</physicalLocation>
  <shelfLocator>700.103094 HEW Cul</shelfLocator>
  <holdingSimple>
   <copyInformation>
    <numerationAndChronology type="1">8003</numerationAndChronology>
    <sublocation>C2O library &amp; collabtive (Arts &amp; Design)</sublocation>
    <shelfLocator>700.103094 HEW Cul</shelfLocator>
   </copyInformation>
  </holdingSimple>
 </location>
 <slims:digitals>
  <slims:digital_item id="36" url="https://c2o-library.net/files/Hewison%20-%202014%20-%20Cultural%20Capital%20The%20Rise%20and%20Fall%20of%20Creative%20Britain.epub" path="/9781781685914-CulturalCapital.jpg" mimetype="image/jpeg">Robert Hewison - 2014 - Cultural Capital: The Rise and Fall of Creative Britain</slims:digital_item>
 </slims:digitals>
 <slims:image>9781781685914-CulturalCapital.jpg.jpg</slims:image>
 <recordInfo>
  <recordIdentifier>6643</recordIdentifier>
  <recordCreationDate encoding="w3cdtf">2018-02-09 23:22:09</recordCreationDate>
  <recordChangeDate encoding="w3cdtf">2018-02-09 23:33:08</recordChangeDate>
  <recordOrigin>machine generated</recordOrigin>
 </recordInfo>
</mods>
</modsCollection>